Peer-Reviewed Academic Publications
"Roch Commune 2.0" (with Eleanor King). Public 28.55 (2017): 98-99.
"From the Turing Test to a Wired Carnivalesque: On the Durability of LIVINGSTON’s Artificially Intelligent Folk Songs of Canada." Liminalities: A Journal of Performance Studies 12.4 (2016).
"iHootenanny: A Folk Archeology of Social Media." The FibreCulture Journal 25 (2015).
"Pete Seeger’s Mediatized Folk." Journal of Popular Music Studies 27.2 (2015): 145-162.
"Brando versus Franco: Media Theorizing with the Stars." Celebrity Studies 5.3 (2014): 368-371.
"Folk Media: Alan Lomax's Deep Digitality." Canadian Journal of Communication 38.2 (2013): 227-244.
"La Commune" (with Eleanor King). Reviews in Cultural Theory 2.3 (2012): 101-103.
“Who Don’t Care if the Money’s No Good?: Authenticity and The Band.”Popular Music and Society 35.3 (2012): 427-445.
“‘The Purpose of These Acting Exercises’: The Actors’ Studio and the Labours of Celebrity.” Celebrity Studies 1.3 (2010): 285-300.
"Becoming Machinic Virtuosos: Guitar Hero, Rez, and Multitudinous Aesthetics." Loading... 2.2 (2008): n.p.
Book Reviews and Interviews
Review of Radio’s New Wave: Global Sound in the Digital Era. Canadian Journal of Communication 41.1 (2016): 237-239.
“On Dallas Smythe’s ‘Audience Commodity’: An Interview with Lee McGuigan and Vincent Manzerolle.” triple C: communication, capitalism & critique 13.2 (2015).
Svec, Henry Adam. “Utopia: Social Theory and the Future.” Wi: Journal of Mobile Media 8.2 (2014): n.p.
Svec, Henry Adam. “What is Media Archeology?” New Media & Society 15.5 (2013): 807-809.
Fiction, Criticism, etc.
“Eleanor King: Dark Utopian.” C Magazine 126 (Summer 2015): 64-65.
“The Song Catcher.” (2014). In P. D. Miller (aka DJ Spooky) and S. Matviyenko (Eds.), The Imaginary App (Plate 8). Cambridge, MA: MIT Press.
“D’Arcy Wilson’s Tuck.” C Magazine 123 (October 2014): 49-50.
“Video Nasty: One Filmmaker’s Documentary on Porn and Addiction.” Broken Pencil 65 (October 2014): 18-19.
“Kisses for Köchel.” Framework 9/14 (Commissioned text published by the Susan Hobbs Gallery on Arnaud Maggs, September 2014): n.p.
“How We’ve Digitized Desire.” MOTHERBOARD (May 23, 2014): n.p.
“Getting Wavy With Sean Michaels and the Theremin.” Noisey (April 28, 2014): n.p.
“Michael Feuerstack Talks Singing and Songing.” Noisey (April 16, 2014): n.p.
"To Haunt All That Might Yet Come To Be: Raymond Boisjoly's Noises." The Work That Work Leaves Undone (Forest City Gallery Digital Publication): 4-5.
“When You Hear That Word.” The New Quarterly 118 (April 2011): 132-134.
“United States Patent Application 005423.” Darling-Made-Me-Do-It 004 (2011).
Various music reviews for Popmatters.